![]() I admitted that I had always found it strange that Jesus would espouse such an obvious oxymoron. Ironically, I reiterated many of the same words I had said nearly eight years earlier at the conference where I had been confronted by the “You’re no mourning expert” conferee. The moment he read that beatitude, a light went on inside of me, and compelled me to offer a few comments to the crowd gathered that afternoon. Jesus Promised: “Blessed are those who mourn, for they will be comforted” ( Matthew 5:4). Curious, he began reading what Zach had been reading. Noticing that Zach’s Bible slid off his lap and onto the floor, Mike picked it up. Zach had fallen asleep while reading his Bible. He told a story of sitting next to Zach on a bus ride. Mike - a leader on the football team - stood to speak. After singing two of Zach’s favorite songs and offering a moment of silent prayer and reflection, the organizers invited a few of Zach’s school friends to share a brief tribute to Zach. Though somber, the vigil truly was a gift. What a gift, but what a hard thing to imagine - a prayer vigil for our child. Zach’s school opened up their gymnasium that afternoon for a prayer vigil. Indescribable in that instance, it became clear later in the day. But in those few short moments after my mourning was allowed space to breathe, I was caught by surprise by the emotion that accompanied and enveloped my wailing. I had felt it coming as the series of circumstances unfolded during the previous week. The eruption of emotion, more intense than anything I had ever experienced, was in many ways predictable. I surrendered to an uncontainable sorrow. It was as if observing Chelsea’s deep sadness gave me permission to feel my own. For the first time in my life, I wailed and moaned in emotional anguish. The moment my wife and daughter got out of the car and entered the restaurant, I began to weep. When we left the hospital and drove to a nearby restaurant for lunch, I dropped Chelsea and my wife, Tammy, at the entrance and went in search of a place to park. I held it in throughout the morning visit. We waited until Zach’s condition stabilized and he woke from his medically-induced coma before we flew her home to visit him in the hospital.įrom the moment I saw her standing curbside at the airport until the moment I saw her eyes well up with tears when she stood bedside with Zach - her best friend as well as brother - I sensed a growing awareness of fomenting sorrow brewing inside me - a force more and more difficult to contain. Our daughter, Chelsea, had left for her first year of college two weeks before Zach’s accident. One of those experiences occurred one week after Zach’s injury. ![]() In the eleven years since our son Zach was disabled, three of the four most profound emotional, intellectual, spiritual, and even physical experiences of life have occurred in moments of intense mourning related to Zach’s injury. And my first experiential understanding of what Jesus meant by “Blessed are those who mourn, for they shall be comforted” began. The privileged life that had insulated me from pain, suffering, death, and mourning ended that day. My son survived the surgery that night, and the four brain surgeries that followed, but a significant portion of his brain did not. And my grandfather, who lay there sleeping, was dressed more nicely and looked significantly better than the last time I had seen him. The casket resembled a fancy mahogany bed frame with a silk-lined memory foam mattress inside. The rooms inside looked like calming bedrooms. I walked into a funeral home that was made to look and feel like a normal home. On those few occasions when I should have mourned - like after my grandfather died - it seemed everything that could be done to numb the pain of death was done already. I grew up believing that you don’t deal with pain and loss by pouting or dwelling on it. Instead, I admitted, “No, not really.” He nodded disapprovingly and said, “That’s what I thought.” Why We Don't Mourn I should have answered the man by inviting him to tell me about his own experience with suffering or loss. He clearly had no interest in having someone who had never really suffered loss dare to lecture him about mourning. ![]() Judging from the tone in his voice and the look in his eyes, the middle-aged man wasn’t looking for answers. “Have you ever suffered? Have you ever lost someone? Have you ever really mourned?”Ī conference attendee pelted me with these questions after I finished speaking on the second beatitude of Jesus’ famous Sermon on the Mount, “Blessed are those who mourn, for they will be comforted.” ( Matthew 5:4)
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In the jazz club, Sebastian is approached by Keith-an old friend and fellow musician-who offers him a job playing in his band. There’s a montage of many happy scenes of them together ("Summer Montage"). Sebastian is playing in a jazz bar Mia loves the music and dances along. Their evening ends with a drive to the Griffin Observatory where they dance ("Planetarium") and finally kiss. Half way through the meal and alienated by the company, she makes her apologies and bolts, rushing out to meet Sebastian at the cinema instead. The call back goes badly and afterwards Mia has to go to dinner (a date she’s forgotten) with her boyfriend Greg and his brother and partner. She says the show’s like Rebel Without a Cause and so they decide to go to the movies together to see it. Mia gets a call back for a TV audition and they’re both excited. Sebastian tracks Mia down at her waitressing job and she tells him of her dream to be an actor and he tells her about his passion for jazz and takes her to a jazz club. On the walk, they both acknowledge the wonderful night and agree it’s a shame it’s wasted on them-after all, they have no romantic potential ("A Lovely Night"). ![]() They end up walking back to their cars together. Sebastian is on keys and Mia mocks him for it. Mia’s at a pool party and goes over to where a 1980s pop cover band is playing. He brushes past her without a second look. She’s mesmerized and goes over to compliment him, just as he’s been fired. But, after a few Christmas tunes, he veers off course and plays his own jazz music ("Mia & Sebastian’s Theme") as Mia is watching. But for now, he’s playing the piano at Lipton’s restaurant, and we see him with his boss, who is reminding him to stick to the Christmas set list (and specifically to cut out the jazz). 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After the spectacle of the opening number ("Another Day of Sun"), we see barista and aspiring actress Mia going over lines for an audition in her car. New books being added regularly.The film opens with a traffic jam on an LA freeway.Responsive book design, so things look great on mobile too.Quick search, note taking and bookmarking for easy reference.Fast loading desktop and mobile experience.Upon purchase, you will be provided with an accessĬode and a link to Hal Leonard's MyLibrary site, where you can view your digitalīook along with supplemental audio or video where applicable. Hal Leonard Digital Books are cloud-based publications, which are streamingĪnd require internet access. Our matching folio features 10 piano/vocal/guitar arrangements from the award-winning soundtrack featuring original songs by Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. Written and directed by Damien Chazelle, La La Land tells the story of Mia, an aspiring actress, and Sebastian, a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. There are many factors of digital media that are changing for the better. It also aligns ads within the context that they’ve been placed. ![]() This will bring back to the center stage not the importance of the quality of the content. Ad buyers will increasingly be able to focus on media plans that are based on attention and deliver clear business outcomes. But the quantification of attention can shift this balance. They’ve also been forced to include ad formats that provide sub-standard user experiences, purely because media buyers are focused on it as a metric. When this is tied in with in-article, outstream video ad formats, it delivers an average of 12.2s of time in view (even higher than instream) and twice the amount of attention compared to social media.Įver since viewability became a priority, publishers have suffered. The study clearly shows that premium publishers drive high engagement of users with quality content. Good newsĪll of the above is fantastic news for publishers. Both video and display ads quantifiably benefit from quality, viewable time. However, time in view has been confirmed as an important factor for attention by the study. Time in viewįinally, viewability on its own isn’t enough. We have also observed superior branding impact for ads that are contextually aligned. that demonstrated 23% more detailed memory and 27% more global memory for ads that were aligned with the contextual content, compared with those that were not. Recently, IAS conducted a study with Neuroinsights in the U.S. ![]() The dentsu study showed that placing ads within relevant context for the reader gives an uplift of Attentive Seconds Per 1,000 of 13%. These grab attention from the start through use of techniques such as contrast, addition of text, animation, or bold colors. This is a result of optimizing TV ads for a mobile experience. The study showed that ads optimized for the Teads platform gained a 49% boost in attention vs the original. However, it was important to measure its impact within their Attention Economy framework. The importance of creativity on ad effectiveness has been well documented. Formats that earned attention yield better, and much quicker, outcomes than outcomes than forced formats. However, when a consumer voluntarily views an ad, it results in a significant impact on brand lift metrics, whether they viewed for 2s or 20s. User choiceįorced ads gain more raw attention vs. They uncovered four key factors that deliver attention: 1. ![]() What delivers attentionĬritically, the study demonstrated that attention is three times better at predicting outcomes than viewability. The goal is to truly understand the drivers of attention and create a real metric for advertisers to use going forward. Their Attention Economy research is the product of a three year study involving multiple media partners. Though some studies have been done, dentsu international has just released one of the most comprehensive to date. They rightly seek to build more sophisticated models in order to spend their clients’ ad dollars within environments that are truly delivering value. Media agencies have been working on this problem for a while. And, while standards have improved, the next step in online measurement for brands has been overdue. We’ve known for a while that viewability is an imperfect metric. However, one thing is clear: For too long viewability has been used to paint an incomplete picture of ad impact. The discussion and debate about measurement in online advertising is rife at the moment. ![]() _ #burial #burialbeer #difficultiesincomprehension #DIPA #raleigh #asheville #828isgreatĪ post shared by Burial Beer Co. Orange Oolong Difficulties: Aged on bold Oolong tea and oranges. 68 Likes, 0 Comments - Sorry Mom Taproom (sorrymomtaproom) on Instagram: 'Prairie Artisan Ales - Cleveland COWBOY, Imperial Pastry Sour 0.355l abv. Limoncello Difficulties: Aged on lemon, lemon peel, and vanilla bean. We will also pour two special Difficulties Variations as well, draft only. _ Cans available in Asheville and Raleigh taprooms only on 4/19. Made with Spring barley and lactose and double dry-hopped with the bright spectacle of Motueka and Kohatu hops and gobs of Citra cryo powder. 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But the fact is that I need all the data, and for example only with a certain facility_id, and when I insert a condition WHERE f.id = :id and tr.tranche_number_id = :trancheNumberId I use this select in my Spring Boot application. But the matter is that this select gives me superfluous results. In this select, I'm using generate_series to get each month since there are no records in the database for each month. LEFT JOIN facilities f on tr.facility_id = f.id LEFT JOIN tranches tr ON asl.tranche_id = tr.id (SELECT MAX(ams.date) + INTERVAL '1' MONTH FROM amortization_schedules ams),įULL JOIN amortization_schedules asl on to_char(the_date, 'yyyy-mm') = to_char(asl.date, 'yyyy-mm') (SELECT MIN(ams.date) FROM amortization_schedules ams), InterestPaymentModified, asl.date, asl.amortization_schedule_initial_id as amortizationScheduleInitialId, asl.tranche_id as trancheId, asl.user_id as userId, tr.local_currency_id as localCurrencyId, Asl.id, asl.outstanding_principal as outstandingPrincipal, the_date as theDate, asl.interest_rate as interestRate, asl.interest_payment as interestPayment, asl.principal_payment as principalPayment,Īsl.total_payment as totalPayment, asl.actual_delta as actualDelta, asl.outstanding_usd as outstandingUsd, asl.disbursement, asl.floating_index_rate as floatingIndexRate,Īsl.upfront_fee as upfrontFee, asl.commitment_fee as commitmentFee, asl.other_fee as otherFee, asl.withholding_tax as withholdingTax, asl.default_fee as defaultFee,Īsl.prepayment_fee as prepaymentFee, asl.total_out_flows as totalOutFlows, asl.net_flows as netFlows, asl.modified, asl.new_row as newRow, asl.interest_payment_modified as ![]()
Tens of thousands of lazy people have earned purple flair for times over 52 seconds. You can see statistics about how many /r/thebutton posters have achieved each level here. There are also believed to be orange and red flair for when the timer gets below 21 and 11 seconds, respectively, but no one has actually gotten this flair yet.Īs I write this, there are a bunch of Reddit users wasting time on /r/thebutton in hopes of joining this elite group. Only a few people have had the patience and good luck to snag coveted yellow flair indicating a timer below 31 seconds. Within the /r/thebutton community, lower numbers are more prestigious. These colored badges have created a virtual status hierarchy. You can only press the button once, so once you get a badge you're stuck with it for life. People who pressed between 42 and 51 seconds get blue flair 32 to 41 seconds gets green. If you were impatient and pressed the button with more than 52 seconds left, you get lame purple flair. The color indicates how much time was left when you pressed the button - this user pushed the button at 31 seconds and has a coveted yellow badge as a result. People who have pressed the button get a flair that looks like this: If you've never pressed the button, you get a gray "non-presser" badge that looks like this: When users post messages on the /r/thebutton subreddit, a colored badge (called "flair" in Reddit-land) shows whether the user has pressed the button and if so, what time the counter showed at the time that user pressed it. The button is powered by two of the most powerful forces in human societies: status competition and boredom. What's so interesting about this button that more than 700,000 people have wanted to press it? Because of the combined efforts of these people, the timer has never gotten below 27 seconds. As I'm writing this on Tuesday afternoon, it's been pressed by more than 730,000 people. No one (outside of Reddit staff) knows, because it's never happened. What happens when the timer reaches zero? And each user only gets to push the button once. Only people who had Reddit accounts before April 1 are allowed to push the button. Every time a redditor pushes the button, the counter resets to 60 seconds and begins counting down again. At the right is a counter, which starts at 60 seconds and counts down to zero. It has its own subreddit at /r/thebutton. The button is a feature that the popular social media site Reddit introduced on April 1, 2015. To explain it, we have to start at the beginning. The previous sentence probably didn't make much sense to you. On Friday morning, the community reached a new milestone, as users started earning coveted yellow flair. URL scheme implemented by Just Press Record can be found on our FAQ page.The button began its life as an April Fools' joke, but nearly two weeks later the community surrounding the Reddit social experiment is still going strong.Avoid recording in noisy environments and ensure the microphone is positioned close to the source. Transcription requires a good, clean audio signal.Just Press Record does not record calls or audio from other apps.Transcriptions are stored within the audio file.Recordings stored in iCloud Drive automatically sync across all your devices.Choose to store recordings in iCloud Drive or in the Documents folder on your Mac.Add a badge to the app icon showing the number of unplayed recordings.Search by filename or transcription content.View recent recordings or browse your library by date and time.Share easily to social media as a video clip.Text - make corrections and add new text to your transcriptions.Audio - visualise your audio in the waveform view and cut out the parts you don’t need.Format as you record with punctuation command recognition.Synchronized text highlighting and audio playback.Support for over 30 languages, independent of your device's language setting.Seek backwards and forwards during playback.Record to WAV, AIF or standard iTunes M4A (ACC).Select a fixed sample rate, such as 44.1 kHz, or use your Mac’s current audio settings. ![]() Start recording from Shortcuts, Siri, the Dock icon, the Widget or via the URL scheme.One tap to start, stop, pause and resume recording. ![]() Capture these moments effortlessly on iPhone, iPad, Mac or for ultimate convenience, Apple Watch. Life is full of moments we would rather not forget - like your child’s first words, an important meeting or spontaneous idea. You can edit your audio and transcriptions right inside the app and even start a new recording completely hands-free with Siri! Just Press Record is the ultimate audio recorder bringing one tap recording, transcription and iCloud syncing to all your devices. |
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